In the photographer’s “High Tension” series, structures seem both powerful yet tenuous. The tension, highlighted against luminous skies, is palpable. Delicate yet strong with design dictated by function, these man-made structures become architectural abstractions of near beauty. His airport terminal with a mysterious black “V” formed by the negative space between two perfect shells is reminiscent of the complex Moholy-Nagy study of the abstract geometries of a factory building.
Curator, Santa Barbara Museum of Art
Excerpt from a review